Vines – a dearth of grape varieties

Alternative varieties are the new cool

Ian Hickinbotham
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Chardonnay row in a New South Wales vineyard

Chardonnay row in a New South Wales vineyard [©Winepros/VisitVineyards.com]

The long late ripening of a gentle autumn creates wines with outstanding flavours, Mornington Peninsula, Victoria. Photographer Adrian Lander
Grapes and vines in a South Australian vineyard
The cool climate of Tasmania results in some very fine wines
Vines in a New South Wales vineyard

 

Australian winegrowing has suffered from a dearth of grape varieties.

There are some 5,000 varieties of grape vines used for making wine and commercially we would use less than a hundred.

Actually, this circumstance is self-inflicted, yet Australians have good reason to be thankful. However, the situation is now in flux, as evidenced by the spate of varietal wines being imported from countries like Italy, Spain, Portugal and Chile – varieties that only some oenophiles have heard of.

Our forbears wisely installed severe quarantine restrictions on the importing of grape vines before the 20thcentury. A wonderful consequence has been – this continent doe not have some of the terrible vine diseases. Even so, some 40 years ago an enlightened attempt to bring in new stock resulted in the importation of two bad diseases. Responsibly, the authorities had housed the new vines on Kangaroo Island off the South Australian coast and the whole stock was burnt.

Now the CSIRO is the only organization authorised to bring in grape vine material (which is then distributed through State departments). However, sadly, this may not stop a determined traveller illegally importing a variety in the form of a single bud that could then be grafted onto a growing vine.

It is not well known that in our lifetime we did not even have Pinot Noir, the classical variety of Burgundy and the backbone of Champagne that has been documented since 600AD. When it was first allowed into Australia, there was such a scramble for stock that winegrowers were rationed to as few as six sticks. One large company resorted to grafting the buds from their supplied canes under the microscope to hasten the build up of commercial stock.There was even talk of ‘importing’ specialist ‘grafters’ from Mexico who earn a living from bud-grafting rose bushes every year in America.

Caution was reinforced after we imported ‘Pinot Noir’ from America, but Alan Antcliff of the CSIRO saved us from our own excitement – he declared the vines were really ignoble Gamay.

The difficulty of identifying vines is an aspect that has exaggerated caution. Ampelography, as the science is known, is an extremely specialised profession. To emphasise, after the war, the French specially trained six people and one of them was brought to Australia by the invigorated CSIRO. In the event, Prof. Truel re-named many of our existing vines –  even in Government Viticultural Research Stations.

Sponsored by third generation Italian immigrants, we now have Australian wines made from Sangiovese, and Nebbiolo, but there remains thousands of varieties unknown to us. I have tasted Lagrain wine, made by a single winegrower and that’s the rub. Why should a single winegrower obtain vine material, establish a vine nursery, prepare the land, plant the vines, make the wine, age and bottle it and then sell it – successfully – only to be copied by a swarm of other ‘copy-cats’?

Then there is the straight marketing aspect.McWilliams very responsibly promoted a new wine made from Rkatsiteli. It was a lovely wine, but did not sell: people could not pronounce the word (and it has been written that sommeliers avoid selling well known Gewuerztraminer for precisely the same reason). Yet it was possibly the world's most widely planted white wine grape.

Perhaps the way forward is for an enlightened but respected viticulturist to prevail upon all the winegowers of an officially defined region to plant one different proven quality new grape variety of that 4,897 possible. Really this is what happened with Pinot Gris: Max Loder, former teacher of viticulture at Sturt University championed it and ex students planted in on Mornington Peninsula where it now seems to be ‘at home’.

 

 

Ian Hickinbotham, one of the most innovative and influential oenologists in Australia over his 50 year career, is the author of Australian Plonky (see related reviews below).

 

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October 09th, 2010
 

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